【英美系演講】張娟芬：《他的罪，他的罰；他的痛，他的傷：死刑制度裡的人》

講者：張娟芬/主持人：許甄倚

時間：100年06月07日(二) 10:00-12:00

地點：國立東華大學壽豐校區 理學院第三講堂

講者簡介：

張娟芬

丹麥阿胡斯大學與德國漢堡大學聯合授與新聞學碩士。參與

社會運動多年，因為蘇建和案的因緣，關注司法改革等人權議題。作品曾獲中國時報十大好書、聯合報年度選書、台灣文學獎。現專事寫作，著有《姊妹戲牆》、《愛的自由式》、《無彩青春》、《走進泥巴國》，與死刑文集《殺戮的艱難》。

國立東華大學英美語文學系主辦

【這個週末‧花蓮走走】「彩虹嘉年華」+《T婆工廠》紀錄片放映＋座談 (Saturday, 5/21)

《T婆工廠》花蓮放映＋座談
時間：2011.05.21（六）晚間7:00~9:00
地點：璞石咖啡（花蓮市明禮路8號）自由入座
歡迎揪伴一起來看移工女同志的愛情天堂 v.s. 現代奴工啟示錄；全球化下移動／勞動／情慾流動的生命故事。
《T婆工廠》官方網站：http://www.tiwa.org.tw/tpfactory.php

「同志站出來，恐懼不要來！」花蓮彩虹嘉年華
由國立東華大學Rainbow Kids同伴社主辦，花蓮彩虹嘉年華是花蓮第一次舉辦的同志遊行，遊行活動是為了要告訴更多的人：「你不是孤單一人的，你沒有錯！」來吧！無論你是誰，和我們一起遊行，把同志的心聲告訴更多的人！
◎日期：100年5月21日（六）中午12點集合、下午2點出發
◎地點：花蓮市鐵道廣場
活動說明：http://www.facebook.com/event.php?eid=122554687823673
地圖及流程：http://www.facebook.com/hlLGBT

2011黑潮海洋工作坊開始招生

2011黑潮海洋工作坊

海岸‧海人‧海魚‧鯨豚

四大學院招生中

走在海岸，永遠有新鮮事

信不信，討海人是苦行僧也是哲學家

海裡的魚不是為了滿足老饕才游來游去

鯨豚呢？不怕被人喜歡被人討厭，就怕夏天少了牠們會寂寞

所有迷戀海洋的慾望

所有探索蔚藍的慾望

都將在此發生

你可以盡情掏出對學習海洋v.s.海洋學習的期待、狂想、可能性、使命感、改革意見……

你可以藉用任何文字、音樂、影像、舞蹈、繪畫……

成為海洋教科書的著作人研發者

不設限的工作坊

一切，只為學，學海

招生簡章及報名表

【文讀assignment #5】 the hyperbolic ingenuity of the metaphysical conceit (deadline: 5/20, 12 p.m.)

The name "metaphysical poets" is now applied to a group of 17th-century poets who, whether or not directly influenced by John Donne (1572-1631), use similar poetic procedures and abstruse arguments. Andrew Marvell (1621-1678), who was born 50 years later than Donne, was one of these metaphysical poets.

Metaphysical style is characterized by a seemingly outrageous or far-fetched logic, which organizes the poem in the form of an urgent or heated argument--with a disdainful lady who sexually rejects her lover, or God, or death. The extravagant uses of hyperbole produce a startling and witty effect. Give some examples that illustrate this "shock tactic" of metaphysical poets. How do the ingenious uses of paradox, pun, the rough and colloquial idioms, the dramatic form of apostrophe or direct address create the shocking effect? Or, among the poems we discussed so far (by Donne or Marvell),which simile or metaphor is most shocking for you?

期末考前同儕課輔

日期	地點	內容
5/13(五)	文D105 晚上7點-9點	Emily Dickinson, “A narrow Fellow in the Grass” “Because I could not stop for Death” “I stepped from Plank to Plank” “We do no play on Graves” “The Brain—is wider than the Sky” “She dealt her pretty words like Blades” “Wild Nights—Wild Nights” “My Life had stood—a Loaded Gun” “After great pain, a formal feeling comes”
5/20(五)	文D105 晚上7點-9點	John Donne, “The Sun Rising” “The Flea” “The Good-Morrow” “Batter my heart, three-personed God” “The Canonization” “Death, be not proud”
5/24(二)	文D105 晚上7點-9點	John Donne, “Song”, “A Valediction: Forbidding Mourning” Andrew Marvell, “To His Coy Mistress” “On a Drop of Dew” “The Garden”
5/31(二)	文D105 晚上7點-9點	W. B. Yeats, “The Lake Isle of Innisfree” “The Second Coming” “Leda and the Swan” “Sailing to Byzantium”
6/7(二)	文D105 晚上7點-9點	Alfred, Lord Tennyson, “Tears, Idle Tears” , “Ulysses” Elizabeth Bishop, “Exchanging Hats”, “Sestina”
6/14(二)	文D105 晚上7點-9點	Sophocles, Antigone

【看見．侯孝賢】湖畔星光蚊子電影院~5/6《紅氣球》

【看見．侯孝賢】湖畔星光蚊子電影院
座談人：王君琦老師(英美系)
地點：湖畔廣場
時間：5月6日 晚間18:30
播放影片：紅氣球

導演：侯孝賢
演員：茱麗葉‧畢諾許、宋芳、西蒙‧伊俄努


什麼是自由？自由在哪裡？或許自由像紅氣球，偶爾駐足卻又緩緩飛離。

《紅氣球》是侯孝賢第一次拍攝法語電影，改編自法國導演亞爾貝‧拉莫里斯(Albert Lamorisse)於1973年拍攝的同名短片。電影裡有相當多看圖說故事的情節，且如同以往的作品，侯孝賢善於利用透過角色日常生活中的細微動作來傳達更深一層的省思意念，電影本身如同畫作，唯有觀者內化才能賦予真正的義意。本部影片也在法國方製片的協助下，邀請到知名演員茱麗葉畢諾許參與演出。

藉由電影，侯孝賢以自己的方式抓住巴黎的吉光片羽，什麼是散文，什麼是電影，在《紅氣球》裡已不再有區別……。


得獎紀錄：
2007坎城影展一種注目單元開幕片
2007盧卡諾影展觀摩單元　侯孝賢獲頒榮譽金豹獎
2007芝加哥國際電影節
2008鹿特丹影展

****現場備有免費紅茶，需要的同學可攜帶環保杯自行取用。另，活動現場可以飲食，歡迎同學們帶著晚餐來湖畔，與我們一同享受難得的【看見．侯孝賢】湖畔．星光．蚊子電影院！

【文讀assignment #4】Biography Speculates Emily Dickinson Had Epilepsy (deadline: 5/6, 12 p.m.)

A genuis unrecognized in her lifetime, Emily Dickinson is now acknowledged as America's most original poet. Because she never married and rarely went outside her house in the last twenty years of her life, biographers and critics are interested in her mysterious private life and make many speculations about her sexuality and reclusivity. In the following interview, Lyndall Gordon (the author of Lives Likfe Loaded Guns: Emily Dickinson & Her Family's Feuds) talks about the possibility that Dickinson may have been elipeptic, Dickinson's relationship with her brother, her sister-in-law, and her posthumous legacy. Listen carefully and write down anything that inspires you.

from npr.org (Fresh Air; July 6, 2010)

A week after Emily Dickinson died in 1886, her younger sister Lavinia opened drawers in the reclusive poet's bedroom and found a veritable treasure trove: nearly 1,800 poems, meticulously crafted by Dickinson during her lifetime.

But the discovery of the poems set off a multi-generational family feud within the Dickinson family over the poet's posthumous publication and her legacy. Writer Lyndall Gordon, a senior research fellow at St. Hilda's College, Oxford, describes the fight between Dickinson's sister-in-law Susan, and Susan's husband's mistress, Mabel Loomis Todd, in a new biography of Dickinson, Lives Like Loaded Guns.

"It would have seemed natural to everyone that Susan, who had been Emily Dickinson's support as a poet and keenest reader, should be the one to edit and publish the poems," Gordon tells Fresh Air's Terry Gross. "[But] after Emily Dickinson's death, she sent a poem to the foremost New York editor of the day, Richard Watson Gilder ... [and] he rejected Emily Dickinson's poem."

Nine months later, Mabel Loomis Todd — the mistress of Emily Dickinson's brother Austin — took matters into her own hands. Every few days, she typed up several of Dickinson's poems and started to send them to publishers. And she was successful: Four years after Dickinson's death, the first volume of her poetry was published.

Todd heavily edited Dickinson's poems, Gordon says. It wasn't until 1955, when Thomas H. Johnson published the Complete Poems, that Dickinson's writings were published without alteration from the manuscript versions.

Gordon says that several of those unaltered poems offer clues about why Dickinson rarely left her home: She may have had epilepsy. Several of her poems touch on a handicap — and, Gordon says, certain lines within those poems indicate that Dickinson may have had spells.

"I think that we have no way of knowing for certain," Gordon says. "But if it's true, it would explain everything. If there was this stigma associated with epilepsy, the best solution for her would have been for her to remain in what she called 'my father's house.' ... She was protected by her father and by her sister Lavinia. She had a comfortable room. She had the time and space to write poetry. If she had married, she would have had babies every year and many more domestic duties."

Lyndall Gordon has previously written biographies of T.S. Eliot, Virginia Woolf, Charlotte Bronte and Mary Wollstonecraft.

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