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"Beside me on the left appeared an angel in bodily form . . . He was not tall but short, and very beautiful; and his face was so aflame that he appeared to be one of the highest ranks of angels, who seem to be all on fire . . . In his hands I saw a great golden spear, and at the iron tip there appeared to be a point of fire. This he plunged into my heart several times so that it penetrated my entrails. When he pulled it out I felt that he took them with it, and left me utterly consumed by the great love of God. The pain was so severe that it made me utter several moans. The sweetness caused by this intense pain is so extreme that one can not possibly wish it to cease, nor is one's soul content with anything but God. This is not a physical but a spiritual pain, though the body has some share in it -- even a considerable share." (Teresa of Avila, Autobiography,
ch. 29).
As you can see in the picture, the ecstasy of Saint Teresa of Avila is shown in this famous Bernini sculpture. How do you relate this motif to John Donne's Holy Sonnet XIV ("Batter my heart, three-personed God")? In Donne's poem, have you found any similar paradoxes that conflate sexual violence with spiritual/religious epiphanies?