3/30/2012

【英史assignment #2】Primitive Encounters: Joseph Conrad's Heart of Darkness (deadline: 4/10)


In Heart of Darkness, Marlow recounts his adventures as a steamer captain in Congo. He hears rumors about Kurtz, becomes fascinated with this charismatic agent, and journeys to the interior of Africa to meet him. Later Marlow finds out that Kurtz has yielded to "savagery," living and ruling as a god, indulging in cannibalism and unspeakable rituals. The story ends with Marlow's return to lie to Kurtz's devoted fiancée (the Intended), in order to save Kurtz's reputation and give her something to live for.

For this assignment, you are asked to analyze the characters in the story. Please choose one from the following characters and analyze it with 200-250 words, cite pertinent texts if necessary.

1) the two women who "knitted black wool feverishly"
2) the doctor who is eager to measure Marlow's crania
3) the Company's chief accountant who is sartorially savvy and who has trained a native woman to do laundry for him
4) the manager who never ills
5) the savage woman who appears as Kurtz is being carried onto the steamboat
6) the Russian harlequin who is Kurtz's "last disciple"
7) the fiancée who "carried her sorrowful head as though she were proud of that sorrow, as though she would say, I--I alone know how to mourn for him as he deserves"

【文讀assignment #1】The Lure of the Object (deadline: 4/8)


A "lure" is something that tempts or attracts with the promise of pleasure or reward. An "object" is something perceptible by one or more of the senses, especially by vision or touch. In poems ranging from Keats' "Ode on a Grecian Urn" to Stevens' "Anecdote of the Jar" and Williams' "The Red Wheelbarrow," the lure of the object constitutes the major theme. For these poets, commonplace or ordinary objects have something attractive that needs to be teased out, expanded and amplified. This obsession with the ordinary objects runs against the conventional idea that everyday object is boring, quotidian, and anything but poetic.

Use 200-250 words to analyze these poems; you can either focus on one poem or do a comparative analysis: how do these poets bestow magical powers on an otherwise banal object? How does this fascination with and depiction of everyday objects help you re-see the world around you?

3/09/2012

第十八屆女性影展 [歡慶38‧女影接力賽] + 3/9 選片指南座談會


2012/3/10(六)-3/11(日) 第18屆女性影展 [歡慶38‧女影接力賽]

◎ 放映時間: 3月10日(週六)~3月11日(週日) 1:30 pm 準時放映

◎ 放映地點: 國立東華大學人社一館第一講堂(文一講堂)

◎ 入場方式: 免費入場



3/9 (五) 18:30-20:30 pm

【身體、創傷與性別-選片指南座談會】

地點:國立東華大學人社一館 A207室 (文A207)

講師:諮商與臨床心理學系 劉志如教授

    英美語文學系   許甄倚教授

    英美語文學系   王君琦教授



3/10 (六) 13:30 pm 開始放映 / 人社一館第一講堂

【311-生生長流】

【 紅褲與我】

【 媽咪情懷總是濕 】

【危險假期】

【暴力毛線團】

【游擊女孩搞破壞】



3/11 (日) 13:30 pm 開始放映 / 人社一館第一講堂

【換我來說】

【在路上】

【媽呀!我有了!】

【一江春水向海流】

歡迎踴躍參加,一同歡慶38!

影展片單介紹

【英史assignment #1】D. H. Lawrence: the call of the wild & the urge to go back to nature (deadline: 3/21, 12 a.m.)


This Wednesday we talked about D. H. Lawrence's project of cultural regeneration, which involves a re-evaluation of our relationship with nature and with our own bodies. His attack on technological and industrial modernity works alongside his advocacy of organic ways of living which will help us to recapture a pre-modern, or even "primitive," relationship with nature and with sexuality. It is an awareness of a new self that stays away from the contamination of the cerebral-analytical-rational consciousness. Creative imagination and a sensual communion with the natural world can only be obtained when we trust the power of our instincts and reconnect with our primeval sources.

Questions for your assignment (choose one from the following questions and answer it with 200-250 words):

1) In "Why the Novel Matters," Lawrence argues that the novel is valuable because it can reveal "life" to us. What does he mean by the word "life"?

2)In "The Horse Dealer's Daughter," the pond is an ambiguous symbol which hovers between life and death, rebirth and destruction. What does this symbolism have to do with the changing relationship between Mabel and Dr. Fergusson?

12/27/2011

【文讀assignment #5】epiphany achieved via violent means (deadline: 1/8/2012, 12 a.m.)


In her short stories, Flannery O’Connor brings her characters to a moment of epiphany when it is no longer possible for them to return to the old ways of life. The proud are humbled, the ignorant are enlightened, and the hypocritical are forced to recognize that the discrepancy between their smug surface and its hollow spirituality is the proof of their inadequacy in the eyes of God. For O’Connor, this epiphanal moment can only be achieved by violence and destruction: “In my own stories I have found that violence is strangely capable of returning my characters to reality and preparing them to accept their moment of grace…. We hear many complaints about the prevalence of violence in modern fiction, and it is always assumed that this violence is a bad thing and meant to be an end in itself. With the serious writer, violence is never an end in itself. It is the extreme situation that best reveals what we are essentially” (“On Her Own Work”).

In the three stories we read (“A Good Man Is Hard to Find,” “Good Country People,” “Everything That Rises Must Converge”), can you find any “moments of epiphany” which are produced in extreme violent situations? How do these violent situations “reveal” the hidden message of God? What mysterious transformations have the characters undergone when they are shocked into an awareness of their smug ignorance?

Is the Misfit the devil?



Famous for her rather eccentric and certainly unique literary style, O’Connor produced fiction in which the action of divine grace is worked in a mysterious and even grotesque way. Oftentimes, it is hard to understand the religious message that O’Connor tried to convey to her audience. However, in “On Her Own Works,” she explains to us the gist of her short story "A Good Man Is Hard to Find," which is "something more than an account of a family murdered on the way to Florida." The fatal encounter between the character Grandmother and the serial killer “the Misfit”mysteriously allows the action of grace in the Grandmother's soul to take place. As O'Connor writes:

“I often ask myself what makes a story work, and what makes it hold up as a story, and I have decided that it is probably some action, some gesture of a character that is unlike any other in the story, one which indicates where the real heart of the story lies. This would have to be an action or a gesture which was both totally right and totally unexpected; it would have to be one that was both in character and beyond character; it would have to suggest both the world and eternity. The action or gesture I’m talking about would have to be on the anagogical level, that is, the level which has to do with the Divine life and our participation in it…. It would be a gesture which somehow made contact with mystery.

There is a point in this story where such a gesture occurs. The Grandmother is at last alone, facing the Misfit. Her head clears for an instant and she realizes, even in her limited way, that she is responsible for the man before her and joined to him by ties of kinship which have their roots deep in the mystery she has been merely prattling about so far. And at this point, she does the right thing, she makes the right gesture….

I don’t want to equate the Misfit with the devil. I prefer to think that, however unlikely this may seem, the old lady’s gesture, like the mustard-seed, will grow to be a great crow-filled tree in the Misfit’s heart, and will be enough of a pain to him there to turn him into the prophet he was meant to become….

In such a picture, grace, in the theological sense, is not lacking. There is a moment in every great story in which the presence of grace can be felt as it waits to be accepted or rejected, even though the reader may not recognize this moment.”

Therefore, God works in a mysterious way. Like Manley Pointer in "Good Country People," the Misfit is not ridiculed by his creator. O'Connor suggests that the grandmother's "moment of grace" might induce the Misfit to be reborn too. It is possible that the Misfit has been transformed by his mysterious experience with the grandmother.

12/07/2011

2011工人團結全球行動影展



English Dept.
2011 台灣國際勞工影展花蓮場
工人團結全球行動
放映時間: 12/20~23 (18:00-21:00) 18:00進場/18:15準時放映
放映地點: 國立東華大學共三講堂





12/20
【血咖啡】24 min
【佛圖之死】17 min
【時尚工業生死鬥】74 min
映後座談人:許甄倚、遲恆昌

12/21
HTC的血汗品牌之路】36 min
【解構富士康】20 min
【蘋果IPad的真相】7 min
【工佔共和國】60 min
映後座談人:謝若蘭、陳毅峰

12/22
【紅土】20 min
【可口可樂殺人事件】85 min
映後座談人:王君琦、賀光萬

12/23
【非關護照】24 min
【片刻緩和】28 min
【我家裡面有工廠】16 min
【景氣復甦大搜查線】13 min
【新自由主義行不行】12 min
映後座談人:楊華美、吳靜如

歡迎大家踴躍參與!
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